Vanity in Excess
This artwork reinterprets Fragonard’s *The Swing* (1767) as a critique of modern overconsumption. Instead of focusing on the painting’s original theme of infidelity, it highlights the woman’s carefree delight amid a chaotic swirl of clothing, symbolizing today’s wasteful consumer habits. I chose this piece because mid‑1700s France marked the rise of luxury culture and early consumerism, mirroring our current attitudes toward excess. Material : Acrylic Paint Size : 18x24Isabella Hur
Grade 11th
Studio YM